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Sahar Rahimi, Manuel Gerst, Cecilie Ullerup Schmidt
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Monster Truck
Monster Truck is a young performance company who works with their own radical way of conquering the stage. Their works are apocalyptic theatrical experiences where elements of show, slapstick, stunts and visual art are combined into a whole. Monster Truck is a collective; everybody participates in the development of concepts, staging and performing.
Website:
Jean-François Peyret
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Jean-François Peyret
Jean-Francois Peyret was co-director of Sapajou-Théâtre together with Jean Jourdheuil from 1984-94. Founder of Compagnie tf2. Peyret is the creator of a large number of unusual performances dealing with scientific and philosophical themes. In his artistic work process he mirrors the scientific method that is described in each particular performance.
Website:
Sean Patten og Berit Stumpf
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GOB Squad
Berit Stumpf (born 1969) and Sean Patten (born 1971) are co-founding members of the international performers’ collective Gob Squad, formed in 1994. Gob Squad makes performances, videos, installations and happenings, mixing theatre, performance, film and real life. The group tours worldwide with their works.
Website:
Eve Bonfanti & Yves Hunstad
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La Fabrique Imaginaire
Eve Bonfanti and Yves Hunstad are co-founders of the theatre company La Fabrique Imaginaire, sharing the roles of playwrights, actors, directors and stage designers. Their first play, La Tragédie Comique from 1988, was created during 5 years of intensive rehearsal work and has played more than 500 performances around the world, translated into ten different languages.
Website:
Heiner Goebbels
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Heiner Goebbels
Heiner Goebbels (born 1952) is a composer and director. His work has toured extensively and has given a new dimension to the concept Gesamtkunstwerk. He presents a number of ingredients and it is up to the spectator to sort them. Heiner Goebbels is professor at the Institute for Applied Theatre Studies at the Justus-Liebig University in Giessen and president of the Theatre Academy Hessen.
Website:
Catherine Poher
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Catherine Poher
Catherine Poher (born 1953) is a director and visual artist based in Copenhagen. She has directed performances at Theatre Rio Rose, ‘Teatret’ with Hans Rønne and at the Royal Danish Theatre, among others. Her work is mainly driven by a wish to create theatre for children and adults alike. Her performances are characterized by a special focus on the spontaneous, the sensual and the simple, speaking to audiences of all ages.
Website:
Helgard Haug
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Helgard Haug
Helgard Haug (born 1969) is director and concept developer in the performance group Rimini Protokoll that creates performances for the stage, the urban space and for radio with the participation of ‘experts’ instead of actors. Besides Helgard Haug, Rimini Protokoll consists of Stefan Kaegi and Daniel Wetzel. e group has been the founder of a new international reality trend, winning a series of international awards.
Website:
Signa Sørensen
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Signa Sørensen
Signa Sørensen (born 1975) works internationally with large site-specific fictional works and universes of experiences. Non-actors participate in installations where the audience moves freely and interactively create their own experience. Signa Sørensen has founded the artistic partnership SIGNA with the Austrian performer and media artist Arthur Koestler.
Website:
Wanda Golonka
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Wanda Golonka
Wanda Golonka (born 1958) is a French choreographer and director living and working in Germany. Trained in classical ballet and modern dance, she founded and directed the company Neuer Tanz from 1985-95. She was director at Schauspiel Frankfurt from 2001-09. In Wanda Golonka's Gesamtkunstwerke the space is as important as the actors and dancers, as she crosses the borders between dance, performance, music and text.
Website:
WT
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Wayn Traub
Wayn Traub (born 1972) is a director, filmmaker, choreographer and performer. In the late nineties he published his Manifesto for an Animal and Ritual Theatre, and his creative work is characterized by the desire to explore a modern ritual theatre. He uses text, music, narrative, set and film to produce a polyphonic whole. In 2012, Traub stopped making theatre performances and turned his focus to multimedia works.